Top 20 Husn Shayari
Beauty is a thing to
see, observe, and enjoy. It is, however, too difficult to configure it in words. Poetry is an art of representing beauty which poets do with their well-chosen words and literary tools and figures of speech. Some examples that represent beauty can be seen here in this section.
TOP 20 SERIES
- Aadmi/Insaan Shayari
- Ada Shayari
- Akhbaar Shayari
- Angdaai Shayari
- Barish Shayari
- Chaand Shayari
- couplets of nushoor wahidi
- couplets on dua
- couplets on eyes
- couplets on love
- couplets on mirror
- couplets on seperation
- couplets on tasweer
- couplets on tears
- Dard Shayari
- Deedar Shayari
- Dhoka Shayari
- Dil Shayari
- Dost/Dosti Shayari
- Duniya Shayari
- Farewell Shayari
- Heartbreak Shayari
- Husn Shayari
- Intizaar Shayari
- Khamoshi Shayari
- Kiss Shayari
- Kitab Shayari
- Lab Shayari
- Maut Shayari
- most quoted couplets
- motivational couplets
- Mulaqat Shayari
- Muskurahat Shayari
- Phool Shayari
- Sad Shayari
- Safar Shayari
- Sharab Shayari
- Tanhai Shayari
- Top couplets on New Year
- Train Shayari
- Visaal Shayari
- Wafa Shayari
- Waqt Shayari
- Welcome Shayari
- Yaad Shayari
- Zindagi Shayari
- Zulf Shayari
us ke chehre kī chamak ke sāmne saada lagā
āsmāñ pe chāñd puurā thā magar aadhā lagā
us ke chehre ki chamak ke samne sada laga
aasman pe chand pura tha magar aadha laga
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Tags: Chaandand 1 more
na pūchho husn kī tārīf ham se
mohabbat jis se ho bas vo hasīñ hai
na puchho husn ki tarif hum se
mohabbat jis se ho bas wo hasin hai
terī sūrat se kisī kī nahīñ miltī sūrat
ham jahāñ meñ tirī tasvīr liye phirte haiñ
teri surat se kisi ki nahin milti surat
hum jahan mein teri taswir liye phirte hain
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Tags: Chehraand 2 more
sunā hai us ke badan kī tarāsh aisī hai
ki phuul apnī qabā.eñ katar ke dekhte haiñ
suna hai us ke badan ki tarash aisi hai
ki phul apni qabaen katar ke dekhte hain
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Tags: Husnand 1 more
phuul gul shams o qamar saare hī the
par hameñ un meñ tumhīñ bhaa.e bahut
Interpretation:
Rekhta AI
The couplet sets up a whole universe of admired beauties—nature and the heavens—then quietly overturns it by choosing the beloved above all. Flowers and celestial bodies become metaphors for different forms of beauty and attraction, but none compares to the beloved’s pull. The emotional core is devoted preference: in a world full of wonders, the heart singles out one person as supreme.
phul gul shams o qamar sare hi the
par hamein un mein tumhin bhae bahut
Interpretation:
Rekhta AI
The couplet sets up a whole universe of admired beauties—nature and the heavens—then quietly overturns it by choosing the beloved above all. Flowers and celestial bodies become metaphors for different forms of beauty and attraction, but none compares to the beloved’s pull. The emotional core is devoted preference: in a world full of wonders, the heart singles out one person as supreme.
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Tags: Chaandand 2 more
tire jamāl kī tasvīr khīñch duuñ lekin
zabāñ meñ aañkh nahīñ aañkh meñ zabān nahīñ
tere jamal ki taswir khinch dun lekin
zaban mein aankh nahin aankh mein zaban nahin
itne hijāboñ par to ye aalam hai husn kā
kyā haal ho jo dekh leñ parda uThā ke ham
itne hijabon par to ye aalam hai husn ka
kya haal ho jo dekh len parda uTha ke hum
uf vo marmar se tarāshā huā shaffāf badan
dekhne vaale use tāj-mahal kahte haiñ
uf wo marmar se tarasha hua shaffaf badan
dekhne wale use taj-mahal kahte hain
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Tags: Badanand 1 more
ilāhī kaisī kaisī sūrateñ tū ne banā.ī haiñ
ki har sūrat kaleje se lagā lene ke qābil hai
ilahi kaisi kaisi suraten tu ne banai hain
ki har surat kaleje se laga lene ke qabil hai
ruḳh-e-raushan ke aage sham.a rakh kar vo ye kahte haiñ
udhar jaatā hai dekheñ yā idhar parvāna aatā hai
Interpretation:
Rekhta AI
The beloved stages a playful test: the lamp is a rival light set beside the radiance of the face. The moth stands for the lover, drawn helplessly toward beauty and flame-like danger. Beneath the flirtation is possessiveness—wanting proof that the lover’s pull is toward the beloved, not any other attraction. The couplet captures teasing, temptation, and the lover’s fated surrender.
ruKH-e-raushan ke aage shama rakh kar wo ye kahte hain
udhar jata hai dekhen ya idhar parwana aata hai
Interpretation:
Rekhta AI
The beloved stages a playful test: the lamp is a rival light set beside the radiance of the face. The moth stands for the lover, drawn helplessly toward beauty and flame-like danger. Beneath the flirtation is possessiveness—wanting proof that the lover’s pull is toward the beloved, not any other attraction. The couplet captures teasing, temptation, and the lover’s fated surrender.
nigāh barq nahīñ chehra āftāb nahīñ
vo aadmī hai magar dekhne kī taab nahīñ
nigah barq nahin chehra aaftab nahin
wo aadmi hai magar dekhne ki tab nahin
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Tags: Famous shayariand 3 more
merī nigāh-e-shauq bhī kuchh kam nahīñ magar
phir bhī tirā shabāb tirā hī shabāb hai
meri nigah-e-shauq bhi kuchh kam nahin magar
phir bhi tera shabab tera hi shabab hai
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Tags: Famous shayariand 2 more
raushan jamāl-e-yār se hai anjuman tamām
dahkā huā hai ātish-e-gul se chaman tamām
raushan jamal-e-yar se hai anjuman tamam
dahka hua hai aatish-e-gul se chaman tamam
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Tags: Husnand 1 more
husn ko husn banāne meñ mirā haath bhī hai
aap mujh ko nazar-andāz nahīñ kar sakte
husn ko husn banane mein mera hath bhi hai
aap mujh ko nazar-andaz nahin kar sakte
gūñdh ke goyā pattī gul kī vo tarkīb banā.ī hai
rañg badan kā tab dekho jab cholī bhīge pasīne meñ
Interpretation:
Rekhta AI
Meer Taqi Meer paints the beloved as something delicately crafted from rose petals, an image of softness and flawless beauty. The second line turns sensual: sweat makes the thin blouse cling, revealing the skin’s true hue and intensity. The rose-petal metaphor and the sweat-soaked garment together heighten desire through vivid, tactile imagery. The emotional core is awed attraction, where beauty becomes most striking in an unguarded, natural moment.
gundh ke goya patti gul ki wo tarkib banai hai
rang badan ka tab dekho jab choli bhige pasine mein
Interpretation:
Rekhta AI
Meer Taqi Meer paints the beloved as something delicately crafted from rose petals, an image of softness and flawless beauty. The second line turns sensual: sweat makes the thin blouse cling, revealing the skin’s true hue and intensity. The rose-petal metaphor and the sweat-soaked garment together heighten desire through vivid, tactile imagery. The emotional core is awed attraction, where beauty becomes most striking in an unguarded, natural moment.
pūchho na araq ruḳhsāroñ se rañgīnī-e-husn ko baḌhne do
sunte haiñ ki shabnam ke qatre phūloñ ko nikhārā karte haiñ
wipe not the droplets from your face, let beauty's lustre grow
drops of dew when flowers grace, enhance their freshness so
puchho na araq ruKHsaron se rangini-e-husn ko baDhne do
sunte hain ki shabnam ke qatre phulon ko nikhaara karte hain
wipe not the droplets from your face, let beauty's lustre grow
drops of dew when flowers grace, enhance their freshness so
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Tags: Husnand 1 more
na dekhnā kabhī ā.īna bhuul kar dekho
tumhāre husn kā paidā javāb kar degā
na dekhna kabhi aaina bhul kar dekho
tumhaare husn ka paida jawab kar dega
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Tags: Aainaand 1 more
phūloñ kī sej par zarā ārām kyā kiyā
us gul-badan pe naqsh uTh aa.e gulāb ke
phulon ki sej par zara aaram kya kiya
us gul-badan pe naqsh uTh aae gulab ke
baḌā vasī.a hai us ke jamāl kā manzar
vo ā.īne meñ to bas muḳhtasar sā rahtā hai
baDa wasia hai us ke jamal ka manzar
wo aaine mein to bas muKHtasar sa rahta hai
